This is a follow-up to the “What I Know About The Cosby Situation” post I wrote the day before
yesterday. You might want to check it
out. It’s a pretty quick read. I’ll wait till you come back. Believe me, it will not take long.
………………………
Are you back? Good.
When the most recent flurry of Cosby sexual misconduct
allegations bubbled up, I gave little to no thought about writing about
it. And I’m a guy who is constantly scrounging
for blog post ideas! Still, I decided, Just Thinking would not be weighing in
on this monumental occurrence.
Then, I got a call from Access Hollywood.
A lovely woman, simply doing her job, which I imagine was going
down a list of potential “Illuminators of the Situation”, and/or “Whistle
Blowers”, and/or “Sneaky Little Snitches”, and calling them up, one at a time.
“Are you Earl Pomerantz?”
“Yes, I am.
“This is (an immediately forgotten name) from Access Hollywood. I was wondering if you would you like to come on the show and talk about…?”
“No, thank you.”
“Do you any information concerning…?”
“No, I do not.”
“Well, would you like to say something positive about…?”
“Sorry, I have nothing to add to the conversation. Thank you, and have a nice day.”
And that was that.
(MISSED OPPORTUNITY, LATER BROUGHT TO MY ATTENTION BY MY
DAUGHTER ANNA):
“Dad, you could have gone on the show and told people about
your blog. You could have said ‘I will
be writing about what I know about the Cosby situation at earlpomerantz.blogspot.com tomorrow’, and you would have had
millions of readers. Then, you could
have written ‘What I Know About The Cosby Situation’, and underneath, left a
totally blank space.” I took only a
portion of her advice – the last
portion. The rest of her advice made me
a little disturbed concerning her deviousness, or, as Americans call it, opportunism.
Anyway, besides Access Hollywood, I was also bombarded by inquiries concerning the Cosby situation
from family, friends and tangential acquaintances, all of whom knew that I had
once worked on The Cosby Show. It is then, that I decided to officially add
my two cents’ worth. Though they may
possibly be worth less.
My entire understanding of sex crimes emanates from years of
watching Law & Order: SVU, which
I have determined to watch less but have not entirely succeeded, though I
adamantly refuse to watch episodes featuring children. “Yuk!” on two levels – the “manipulative story”
level and the “exploiting child actors” level.
And “Yuk!” on me for ever
considering it “entertainment”!
Here’s what SVU
taught me about sex crimes. Sex crimes
are the only crime in which the victim has to prove that they took place.
(Why? Because there are generally
no witnesses. As I facetiously remarked
to a curious inquisitor: “Here’s what never happened. {AS BILL COSBY}: ‘Hey, Earl.
I am going to drug this woman and have sex with her. Would you like to watch?’”)
Meaning, how exactly could I know?
As behooves its status as a television drama – and an
extremely long-running one at that, so as it got older, they had run through pretty
much all of the permutations – SVU episodes concerning sexual
misconduct (which are the only stories they did because…they’re SVU) are, ideologically and story-wise,
all over the map:
They did it. They were accused
of doing it but the accuser was lying.
They appeared to have done it
but they were set up by a vindictive “Third Party.” They admitted
to doing it but they were covering up for a loved one who actually did it. They did it
but (it was argued) an addiction to pornography made them do it. And
hundreds of other permutations, too
numerous to mention, or remember.
Oh, yeah, one of my favorites. The person did it, but the evidence did not match until it is discovered that
the “exonerated” female suspect used
to be a guy. That one was a “stretch”
but you know, it was the Fifteenth Season.
Random considerations – on both sides of the issue – which
you can sift through and evaluate as you see fit:
“Sexual predator.” An
at least questionable lack of good judgment. Celebrity “entitlement.” Groupies and thrill-seekers. “Where’s there’s smoke there’s fire.” And last but not least, a line immortalized
by Reagan Administration Secretary of Labor Raymond J. Donovan, accused of a crime
and later exonerated:
“Which office do I go to to get my reputation back?”
There are two reasons I rebuffed Access Hollywood. One, I had,
as previously mentioned, nothing to add to the conversation. And two, perhaps equally importantly, I am
generically hostile to gossip, and programs that enrich themselves
disseminating it.
As usual in cases of the seamier uses of the Free Speech
protection, I blame the audience for making gossip shows so popular and
profitable. I suspect those viewers can
intuit my disapproval. Which is at least
one reason I am not more popular and
profitable myself.
A lot of people enjoy
gossip. And they have little patience for
the “judgmentalists” who don’t.
6 comments:
Wow. I recently found this blog (led here by Ken Levine) and I was already enjoying your posts. But this is not only a great post, it is a great position statement. I also don't like gossip.
Unless, of course, it is about me, where I know the truth. Then gossip can be entertaining (or frustrating - or just plain stooooopid).
Come to think of it - I don't like gossip.
Hobbes! There you are!
The Cosby crap long ago moved from gossip to more than likely. But you don't want to express an opinion so I won't either, not beyond the one I just expressed.
What I'd like to see you discuss is a slightly related topic that's come up on Ken Levine's blog, and that's the rough anything-goes culture he indicates is common in many writers' rooms, especially in comedy. At Ken's SITCOM ROOM event, Jane Espenson talked about how personal some of the off-color comments were that came her way, and said that the culture was what sent her to writing drama instead.
Ken has generally defended the notion that writers need to have the space to say absolutely anything that comes to mind; I'm not so sure it's really necessary to pick apart the beddability and sexual qualities of the female writers in order to collaborate on great comedy. So one day soon, if you have time, I'd be interested in your thoughts about whether some basic civility can be had while still enabling great writing.
wg
Not sure Writers Rooms are as wild as they once were. More women are running shows, and more women are in the rooms.
I'd be surprised if writers are even working as late as they once were, based on the shows I've seen. Irony doesn't require you to stay up late. Jokes are hardly part of the fabric. "Character" usually means wry observations that seem to be written by one person, and not really in a collaborative style.
integrity and humor are an odd combination...you have both....that's a compliment
3514integrity and humor are an odd combination...you have both....that's a compliment
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