(I like to alleviate
suspense by laying it all out in the title.)
A recent dinnertime chat with a longtime writer companion
brought back moments of genuine enjoyment that I experienced during specific
junctures in my career. Warming
reminders of memorable fragments of fun.
My friend confided to me that his entire work experience writing
for television was steeped in self-doubt, anxiety, apprehension and dread. The pressure to deliver rained heavily on his
parade.
This led me – possibly inaccurately; it happens – to recall, with retroactive excitement, the early part of
my television writing career, approximately the first seven years, ‘74 to ‘81.
Sure, I was afraid I would be fired and sent home – brrrr! –
at any minute – but concerning my overall recollection of those Early Days, I
surprised myself, hearing these three words escaping happily from my mouth:
“I loved it.”
Given the opportunity to recant, under penalty of “Restaurant
Perjury”, I instead… didn’t. Why?
Because what I had said about loving it felt true, characterized by the
detectable upturn at the corners of my mouth, a reaction conspicuous for its
unusualness. My lips went, “I can’t
believe we’re doing this!”
And why not “I
loved it”? I was performing my “Dream
Job.” Respected practitioners were
telling me I was good. Or at least
skillful enough to remain actively employed.
What floats to mind as evidentiary buttressing of this
reaction was a scheduled phone call I received early in my sitcom-writing career. I had delivered the First Draft of a script I
had written; my boss was calling to communicate what he thought.
More specific details would come later at a Second Draft meeting
discussing the requisite changes. But
his overall headline to my submission was this:
“You’ve got a lot of work to do.”
Rather than feeling upsets by his negative response, I recall
myself instead feeling surprisingly invigorated.
“I can fix it, “ I replied.
Partly naivete,
I’m sure. But partly, I really believed
I could fix it.
Consistent with the way things go in this process, I did not
completely fix the script. But. under the guidance of my superiors, my
Second Draft was a noticeable improvement over my First, my ameliorating
efforts indisputably moving the ball forward.
Later, during “Final Draft” preparations and later still,
during “Production Week”, the script was additionally
upgraded by an impressive bombardment of “Writers’ Room” enhancements. The episode was ultimately positively
received.
I had done my part via a meaningful contribution. My initiating efforts had broken the
ice. I had gotten us “off the shnide.” I had blasted my way through the
Rockies. Okay, that was too much. (With apologies to the heroes who actually
blasted their way through the Rockies.)
What brought me joy was I felt like a valuable contributor
the team, bold member of a selfless “Suicide Squad”, thundering recklessly down
the field. Okay, that’s too much
too. (With apologizes to actual “Suicide
Squad” participants.) You see why I
desperately need direction? Give me the
boundaries and I’ll do the job. I’m
telling you, I can fix it!
Of course, when I became a show runner and the “boundary-giving”
responsibilities fell to me, it was not nearly as much fun.
(Note: I have just
summarized a substantial portion of my career in one sentence. And yet, I feel I have successfully covered
the ground.)
Towards the end of my career, my participation – as a
consultant – was requested by such comedy luminaries as Garry Shandling (on
both of his revered TV series.) As a consultant, I would address
scripts, both before and during production, looking for ways I could suggest
that would make those scripts better. And
right away, the feeling of exhilaration returned.
The stuff in the middle where I was looked to to provide
more than just writing?
Then I felt like
my longtime writer companion felt his entire career.
But at least some
of the time, as a “First Draft Trailblazer” and as a “Show Doctor to the Stars”…
I didn’t.
-----------------------------------------------------------
A secular prayer for things for our country and ourselves. Thank you for your readerly support, and the best possible outcomes for all of you.
Earl.
-----------------------------------------------------------
A secular prayer for things for our country and ourselves. Thank you for your readerly support, and the best possible outcomes for all of you.
Earl.