Beginning with an apology.
This anecdote was told to me at a party more than thirty
years ago, and I no longer recall it word-for-word. If I had known I’d be writing a blog someday,
I’d have written it down when I got home.
Or, more likely, jotted it down on a cocktail napkin. And then inadvertently used the napkin, smearing “jot-down” ink all over my face.
The thing is, it’s a wonderful story, and even a fractured
version seems to me worth retelling.
The tale, set in the halcyon days when the studios
controlled the movie business, is attributed to Samuel Goldwyn, the middle
moniker in famed MGM Studio’s
Metro-Goldwyn-Mayer. On second thought,
maybe the story’s about Mayer. Does
anybody care? I don’t. I know it’s not
Metro. There are no stories about Metro.
I don’t even know if Metro is a person. It could
be the French subway. Although why
Goldwyn and Mayer would partner up with a French subway is beyond my
comprehension.
Anyway, this massively successful studio boss is at some
gathering, and, demonstrating that this is a perennial rather than a
contemporary concern, a party guest is berating him for the dismal quality of
his company’s pictures. Frothy. Mindless.
Juvenile. A waste of time.
The studio boss listens patiently, and then says,
STUDIO BOSS: “Tell
me something. Our studio makes two
hundred movies per annum. Would you say that twenty per cent of those
movies are worthwhile?”
“No.”
STUDIO BOSS: “Okay,
then. Out of the two hundred movies we
put out, would you say that ten per
cent of those movies are worthwhile?”
“No.
STUDIO BOSS: “How
about five percent? Would you say five percent of the movies we
produce are worthwhile?”
“No.”
STUDIO BOSS: “All
right. Now be fair. Of those two hundred the pictures we make a year, would you
say we make at least one picture you
would consider to be worthwhile?”
“Okay, I will grant you that. Of the two hundred movies, I admit you make one
movie a year that’s worthwhile.”
STUDIO BOSS: (SMILING
PATERNALISTICALLY) “We don’t have
to.”
3 comments:
It must have been Mayer. Goldwyn would have told him to "go to hell", after the person made the first remark about the studio.
Very cool comment. A reminder that it's a business - it's their business - and they can make what they want...
Question: I was just doing some quick research to scratch a random mental itch and saw on Wikipedia that you wrote "The Lighter Side of Angela Matusa" for Taxi. I've always been fascinated for some reason with the Angela episodes, particularly because it looks like the actress really lost all that weight in the span of a year. What can you tell us about the Angela episodes and how The Lighter Side came about? Thanks!
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