Friday, May 24, 2013

"Writing, Fast And Slow"


I used to think – and have written elsewhere – that, for me, the most appreciated advantage of the computer is that I can get things down almost as fast as I they come to me, therefore diminishing the likelihood of my forgetting anything valuable in the process. 

I compared this to its diametrical stenographical opposite – transcribing on stone tablets with a hammer and chisel – where I imagined you could easily lose your train of thought, chiseling the first letter of the first word.

“I know what it starts with – I am doing an ‘O’ – but I have no longer any idea what comes next.  If only ‘O’ wasn’t so arduous.  Doing ‘round’ on stone – it takes, like, forever.  I finally get it done, and I have zero recollection of what I wanted to say.  What am I left with?  A tablet with an ‘O’ on it.”

From stone tablet, to scratching dye on papyrus, to writing with a feather, to various forms of pens – from the fountain pen to the ballpoint – to, mechanically, the linotype, to the typewriter, to the electric typewriter, to the computer – something like that, give or take what I left out.  Consistently, every stenographic advancement moved in the direction of “faster.” 

We have lightning quick minds, some of us.  Maybe everyone does, but the people who think about it like to think it’s just us.  We have brilliant ideas, these same “some of us” like to think.  If we lose even one insight because we could not get it down before it elusively slipped our minds, we perceive it as a tragedy, not just for the person whose mind this stroke of genius temporarily flew into, but for all humankind.  We like to think. 

MIDDLE AGES RESEARCHER:  “I had the definitive cure for baldness.  Right in my mind, clear as day.  I reached quickly for a scrap of paper to write it down, I wrote ‘The Definitive Cure For Baldness’ at the top – so I’d remember what it was the definitive cure for.  Suddenly, I remember I need to go to the Cleaners Shoppe – my wife got a Black Plague stain on her party dress and they were trying to get it out, and the place was closing in ten minutes, and if I forgot to pick it up I’d be in big trouble with the missus – and with that tiny distraction, the definitive cure for baldness flew right out of head.  If only there’d been some kind of a machine for writing things really fast, I could have quickly completed that note.  My failure could mean a continuation of the scourge of baldness for centuries to come.  On top of which – a smaller concern but annoying nonetheless – I was so distraught about losing the cure, when I raced to the Cleaners Shoppe, I forgot the receipt.”

How many life-altering ideas, inventions, illuminations and aphorisms have been lost over the ages, because the mode of transcribing them was too poky?  Jokes, too – let’s not forget jokes. 
A hilarious line comes to you, but in the extended process of writing it down, you forget parts of it – a salient descriptive, or you leave out some words, or equally destructively, you add some, such that, when you read the thing over when you’re finished– it is no longer funny!

“If only I had gotten it down faster!” you lament.  Then, suddenly…

You notice something that leads to believe in the strong possibility that you were wrong about everything.  Not totally everything, like, you never said anything right in your entire life.  But everything related to this issue.  Which, itself, is quite a lot.

As I mentioned yesterday, I am listening on tape to a book entitled, The Man Who Saved The Union – Ulysses Grant In War And Peace (23 discs, of which I am currently on 20.)  Therein did I discover a challenging contradiction to my previously held belief.

In a biography of a nineteenth century person, you will inevitably encounter quotes, rendered both by the subject him or her self, or the people involved, largely and smally, in the biographee’s life.  Quotes from the mouths – or the writings – of nineteenth century persongages, from a time when they wrote with a feather, or maybe just after, when they wrote with the implement that followed the feather, which was undoubtedly no miraculous step forward.

You would think, due to that day’s arduous method of transcription, their pronouncements would be commensurately brief.  Cryptic, even, because it would be difficult for the stenographer to keep up with the speaker, or, if one were transcribing one’s own words, to keep up with one’s thoughts. 

And yet, the opposite proves to be the case.  Nineteenth century sentences go on forever, qualifying and clarifying on their unhurried way towards the ultimate and inevitable period.

Here’s a guy, in a letter written in the early 1870’s, who, despite internecine turmoil in Louisiana, desires President Grant not to send down federal troops to interfere.

We assure you, Your Excellency, that the white people of Louisiana, owning upwards of three hundred and fifty millions of property, and largely interested in commerce and agriculture, desire only to elect and establish a government of competent and honest officials, under which all legitimate interests of all persons, irrespective of race, color or previous condition of servitude will be protected.

The guy was lying his head off.  But look how precisely he went about it.  A sixty-one word sentence.  In which the man makes certain to include all facts and clarifiers salient to (his version of) the situation at hand.  That guy didn’t have a computer.  And yet, he remembered (and included) in comprehensive detail everything he wanted to say.

Leading me to ponder if maybe I had gotten things altogether backwards.

Maybe, because it took them so long to get the words down – and also needing to proceed deliberately, understanding that if they made a mistake, they could not “delete” it; they had to write the entire thing over again – writers in earlier times, their minds regulated by the relaxed rhythms of their implements, had a more leisurely opportunity to think about and perfect what they were committing to paper. 

They had one shot at it.  Their minds were not racing.  Maybe it was they, and not us, who did the better job of communicating their message.

Check this out, from the eighteenth century.

When it the Course of human events, it becomes necessary for one people to dissolve the political bonds which have connected them with another, and to assume among the powers of the earth the separate and equal station to which they Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

That’s the preamble to the Declaration of Independence.  Pretty good, huh?  It hits precisely the right note.  A seventy-one word sentence.  With our technological advantages allowing us to record every thought and contingency, how, in contrast, might the independence declarers of today declare it?

“We’re leaving, and here’s why.”

Or, if texting,

“Wr lvng & hrs y.”

Rather than allowing us to include every idea and nuance as it pops to mind, accelerating our stenographic abilities appears to have encouraged us to commensurately contract our communications.

Making me wonder what we’re missing.

Thursday, May 23, 2013

"Hey, Kids! What Time Is It?"


Nobody has ever surveyed what I watch on T.V.  And yet – “Whoo-oo-oo-oo” – Scary Music –

They still seem to know.

Marketing genius.  I cannot claim to understand it.  but I know it’s out there.  How do I know?  After three paragraphs of verbally wiping my feet…

I shall tell you.

Two of my three sources of viewing entertainment – the third one being sports – oh, and old movies – oh, and reruns of westerns I haven’t seen since the fifties – oh, and British mystery series, oh, and travel programs featuring places we have recently visited – let’s pick up the threat here, shall we? 

Two of my three sources of viewing entertainment are cable news (of the Left-leaning variety, the other brand making me want to repatriate to Canada) and reruns of Law & Order SVU (now that reruns of my favored L & O format – the original one – are less frequently broadcast.)

MSNBC and the USA Channel.  Is primarily what I watch.  Generally, during the late afternoon and early evening.  I am less than proud of myself for watching either of those channels – MSNBC because, like the movie The Aristocrats where 50 or so comedians each told the same joke using their own personalized approach, a handful of commentators similarly repeat the same news stories, and USA Cable, where I passively submit to continuous SVU recyclings, new to me, because I can never remember the endings.

What a waste.  I could more valuably invest those squandered hours doing something ameliorative for the planet, but I don’t.  (I also do no harm, so how ‘bout “part marks” for not making things worse?  No, you say?  Well, you’re probably right.)

Anyway, as with all less than admirable activities (and, arguably, all the admirable ones as well), there’s a price.  And the price in this case is the following.

Hearkening back to the opening, telemarketers know their audience.  And, apparently, according to their under the radar investigations, the MSNBC viewers and the SVU watchers are one and the same.

What makes me think that?  Because, under the telemarketers’ direction, both MSNBC and USA Cable offer virtually identical advertising content, targeted at the networks’ perceived overlapping viewership, an audience which, demographically, it would appear,

Is “up there.”

And what, according to those marketing wizards, is that “up there” audience primarily interested in?

Their health.

Their consequent strategy:  An avalanche of pharmaceutically-related commercials.

I am not making this up, and I'm barely exaggerating.  When they’re not advertising other programs on their networks, at least half of the commercials on MSNBC and USA Cable are concerned with products promising to cure, or at least palliate, one or another age-related affliction. 

This marketing decision, frankly, surprises me, because, as an “up there” audience member myself, the last thing I want to hear about when I surrender an hour or six to watching mindless entertainment is my teetering mortality.

The subject I least want to think about.  Yet there I am, bombarded by commercial after commercial offering medications, services and cutting edge devices promoting

Painful bone joint relief

Acid Reflux control

Sleep disorder medicine

Back pain remedies

Cancer hospitals

“Low-T (testosterone)-related underarm sprays

Motorized Wheel Chairs (“Many covered by Medicare”)

Stroke and blood clot inhibitors

Frequent urination assistance

and

Diabetes treatments (you do not have to measure or inject)

That’s what insinuates itself into my highly-coveted moments of leisure – reminders of my impending, if not already happening, decrepitude.

“You know you are falling to pieces.  Here are some ‘miracle products’ that might help.”

And, as an bonus, there are those obligatory lawsuit-indemnifying disclaimers of these medications’ shattering side effects – “suicidal thoughts or actions”, “severe liver problems” – which are invariably worse than the illnesses they are trying to correct.

Hey, I’m watchin’ TV here!  Distracting myself with overheated news coverage, and seeing if Elliot and Olivia will get that scumbag off the streets.  I don’t need this!

“Ask your doctor if Cymbalta can help you.”  No!  Will you just lemme watch the show!

I have this minor talent where, though I never wear a watch, I know almost precisely what time it is.  (A consequence of my TV-writing days, where I was continually harassed by an onrushing deadline.)  These commercials – my punishment for choosing sloth over contributing to the betterment of Mankind – reconnect me, unwelcomely, to another clock-ticking inevitability:

My time is almost up.

Thank you.  And enjoy the show.
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"Medieval Cats" Post - Kudos Keith - First class work.

Wednesday, May 22, 2013

"Two Medieval Cats Talking"


Leafing through my scribblings from our recent European excursion, I was reminded of a passage I read in my indispensible historical companion, “The Seven Ages of Paris” (by Alistair Horne) concerning “The Black Death”, wherein the brainiacs of the era determined that the devastating scourge sweeping the continent could be eradicated if they exterminated the malignant carriers of the contagion…

The cats.*

(* Spoiler Alert:  It was actually the rats.)

This leads to this imagined (though we cannot entirely rule out real) conversation between two fourteenth century felines.

Translated from the original Cat.  Dialect:  Middle-European. *  

(* Englished-up for the reader’s convenience.)

Two cats meet in a back alley bordering a favored restaurant trash-dumping area.  One cat is congenitally nervous; the other, easygoing to a fault.

NERVOUS CAT:  We’re in trouble! 

COOLER CAT:  Ah!  “The worrier!”  No salutation of any kind.  Just hit the “angst button” and “Away we go!”  That might be an anachronism, but it’s good to burn those off early.  Which may also be an anachronism.

Silly cat!  We are in serious difficulty! 

When are we not?  There are roaming bowwows.  Packs of predatory hyenas.  And, during food shortages, people who once pampered and petted us, stop being nice, and cook us and eat us.  “C’est la vie” if you’re a cat.  And not only a French cat. 

This is different!  And it’s really, really bad!

Your lucky day.  Something new to get gray cat hairs over.

It’s the plague!

There’s a cat plague?

A “people” plague.  You have you noticed there are less of them lately, haven’t you?

You’re right.  I went over to a house where I, with generally positive results, beg for food, and there was nobody home.  I thought they were just on vacation.  But then, I looked next door, and they were carrying out bodies and dumping them in a cart.  Then they rolled to the next house and said, “Bring out your dead.”  And they did!  The neighborhood’s virtually empty now.  I don’t know what they ate, but I am definitely avoiding their table scraps.

Millions of people!  They’re dropping like flies!

That’s a shame.  Fortunately, we’re not “people.”   We’re cats.

That's who they're blaming for the plague!

Who?

The cats!

They’re blaming us for the plague?

They call it “The Black Death.”

“The Black Death.”  You ever wonder who makes up these names?  Like “hell.”  It sounds exactly like what you think it’ll be like.

You don’t seem to get how serious this is!  They’re saying it’s our fault!

Who’s “they”?

The doctors!

Well, those guys are never wrong.  Maybe it is us.

It’s the rats!

The rats.  How ‘bout that?  They missed it by one letter.

It’s not funny!

Okay, Mr. “Everything ends with an exclamation point.”  So we steer clear of the rats…

It’s not the rats.  It’s the fleas on the rats.  “Oriental rat fleas” living on the black rats are regular passengers on merchant ships!  The spread through the Mediterranean and Europe, the plague killing thirty to sixty percent of the population!

Where’d you get that from?

Wikipedia.  Sorry for the anachronism.  But I needed it for exposition.  The point is the fleas infect the rats, and the rats spread “The Black Death.”  

I pick the fleas off, don’t you?  I mean, we are programmed to eat rats.  But fleas – Yikes!  You have to draw the line somewhere. 

Listen closely.  It’s not a question of our not eating the rats… 

Without picking off the fleas first.

…right.  It’s a question of them exterminating every cat, because they believe we’re causing the plague!

That’s not good.  Though, when you think about it, we may be dying because of a typographical error.  They meant to say “rats”, but they accidentally wrote “cats.”  Interesting thing about relativity.  That would be humorous, if I weren’t a cat.  You can learn something, even in adversity.  “Nothing is funny to everyone.”  I have to remember that.

How can you take this so lightly?  We are all going to die!

Good thing a cat has nine lives, huh?

Falling off a building and landing on your feet does not mean you have nine lives; it means you can land on your feet.  They mixed two things together.  Cats have one life.  And above average landing skills.

You are such a sourpuss.  Next, you’ll be telling me one “dog year” isn’t seven “human years.”

It’s a myth.  To cheer up old dogs.  Now back to us.  What are we going to do?  The “Wee-ooo Wagons” will be here any minute!

The what?

One guy drives the wagon, and the guy sitting beside him goes, “Wee-ooo-Wee-ooo” to tell you they’re coming.  This is horrendous!  They’re rounding us all up!  And we didn’t do anything!

Yeah, but you know, eventually, those doctors  are going to realize...

"Eventually" is a well full of drowned cats!

I fear we are veering perilously close to “Allegory Country” – “A hated minority, unjustly accused”?  

They don’t hate us.  They just think we’re killing them. 

Well then, we are dying for a mishandled allegory.  Frankly, I would have preferred a loftier exit. 

I do not see how we’re gonna get out of this.

We could pull the plug on this post.

Like it’s that easy.  “I don’t like where things are heading, so to avoid a tragic resolution, I’ll just pull the pl


(The writer is omnipotent!)

(If not entirely satisfying.)  
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A Contest:  With, as my Headmaster Mr. Kinsman used to say when I was teaching at St. John's Church of England Infants and Junior School, a "bucket of tar" for the winner.  

I could not find an ending for this story that was not terminally depressing.  

Got any ideas?

Tuesday, May 21, 2013

"Chaque Un...Etc."


Did you ever have the experience of browsing through the inventory at a clothing store and saying, “Why would anybody buy this shirt?” 

There is a good chance, if you loiter in that clothing store long enough, somebody will spot that same shirt and light up like the Vegas “strip” at sundown.  For them, that sartorial mutant is exactly what they’ve been looking for.  

This, at least, is the hope of the clothing store proprietor, who, lacking unlimited shelf space, must have somehow determined – while perhaps shaking their heads in skeptical disbelief – that there was a market out there for that haberdashorial mistake.  If only as an “impulse purchase” that would ultimately be consigned, possibly unworn, to the Helping Hands For The Blind “give-way pile.”

These thoughts come to mind at the semi-annual arrival in the paper of the listing of upcoming movies, in its eponymizing “Summer Movies Sneaks” feature. 

(The “Summer Movie” distinction is now arguably an anachronism.  See:  the New Yorker cartoon showing a warmly-dressed middle-aged couple exiting the theater, and one of them says to the other, “Remember when ‘Summer Movies’ were only in the summer?”)

I was drawn to write about this explosion of (by my count, 163) cinematic offerings. But I was not certain what approach I should take.  (File this – if you’re filing – under “The Inner Workings Of A Writer’s Mind.”)

My first impulse was self-mockery – my standard go-to position – accompanied by the ever-popular “helpless undertone.”  Re: the 163 preview glimpses:  “Why didn’t I think of that idea?”  Offered not with a lampooning irony, but rather, showcasing my congenital uncommerciality.  Okay, maybe with a little lampooning irony.

But today, my heart just wasn’t in it.  You can only deride yourself so often before you feel like a schmuck.  (A fool, but with anatomical connotations.)  So, no.  Self-mockery, at least on this occasion, will take a seat on the bench.  (Though it may possibly appear as a pinch-hitter.) 

My second thought was to wonder – based, admittedly, only on these thumbnail summaries, but still – how exactly these movies that are arriving this summer ever got off the ground.

Imagine the studio executive whose job it is determine which pictures to “green light” into production, responding to – picking titles at random – these pitches:

In a World…

A struggling vocal coach musters the courage to pursue her secret dream of being a voice-over star.

STUDIO EXECUTIVE:  Not an acting coach mustering the courage to purse their dream of being a movie star, but a vocal coach pursing their dream of being a voice-over star.

IDEA PITCHER:  Exactly.

STUDIO EXECUTIVE:  Let’s do it!


Prince Avalanche

Two men painting traffic lines on a desolate country highway that’s been ravaged by wildfire forge an unlikely friendship while bickering and joking.

STUDIO EXECUTIVE:  Lemme see if I’ve got this.  They’re painting traffic lines on the highway, and they’re bickering and joking.   That’s the movie.

IDEA PITCHER:  Exactly.

STUDIO EXECUTIVE:  I wish all my decisions were this easy.  We’re in for forty million.

And leave us not forget…


And Now A Word From Our Sponsor

A Chicago advertising executive awakes from a coma able to speak only in slogans.

STUDIO EXECUTIVE:  For two hours?

IDEA PITCHER: Exactly.

STUDIO EXECUTIVE:  I love it!  I can already see the sequel.  They wake up from a coma able to communicate only in theme songs from situation comedies.  Doctor:  “The patient is lucid!”  Patient:  (SINGING)  “I love lucid, and she loves me.”

Sour Grapes Alert:  It is easy – and not particularly attractive – to make fun of movies that got sold and made and exhibited when none of those things came close to ever happening to any of my movies, all of which, I feel compelled to add, though I acknowledge a personal bias in the matter, had more going for them than two guys painting stripes on the highway.  (“It’s all in the telling, Earlo.”  Okay, but still!)

There is a good chance that we will not be attending either of the forementioned movies.  But that’s another approach I was reluctant to take – writing about movies we will not be attending, some simply because of their titles: 

Blood

Rapture-Palooza

Detention of the Dead

Maniac

And Grown Ups 2.

(The latter, because I saw Grown Ups 1.  Fool me once, shame on you.  Fool me twice, shame on me.) 

It been done to death that they don’t make movies for people my age.  Or thirty years younger even.  What else is there to say about it?  “Stop doing that”?  They won’t.

What approach then is left? 

You say what you’re not going to do while simultaneously doing it, topping it off with an old-fashioned happy ending.  Such as this one.

After scouring the hundred and sixty-three offerings, I found four that sounded promising:

Desperate Acts of MagicAn aspiring professional magician and an accomplished street performer work out their complicated relationship over the course of an international magic competition.  (One of us particularly enjoys magic; the other is happy to go along.)

Old Dog The sale of a valuable dog causes strife within a family of Tibetan herders.  (We’ve had success with Tibetan movies on the past.  Wait!  Or were they Manchurian movies?  I can’t remember.)

History of Future Folk Sent to Earth to plan for a future invasion, a space alien decides to become a bluegrass musician.  (There’s the possibility this one is not be as good as it sounds.  Still, how bad can it be?  We like bluegrass.)

One Mile AboveA Chinese man faces adversity as he tries to ride his bicycle to the highest point in Tibet to honor his dead brother.  (I am extremely hopeful here.  What are the chances of two Tibetan movies both being no good?)

There you have it.  Four “possibles” out of a hundred and sixty-three. 

As my friend Pedro who has fourteen children used to say when I told him I had two:

“Better than nothing.”