With the Jewish High Holidays fast approaching, a time when
Jews acknowledge their sins in hopes of forgiveness, I thought I would beat the
rush and get one in early. (Either that,
or there are so many of them, I need to deliver my transgressions in manageable
chunks.)
Show business is a relatively simple arrangement. From a writer’s standpoint, it’s a matter of
“piece work”, a quid pro quo articulated
most concisely by an agent for major talent (including Cloris Leachman) who once
told me,
“Write me a script, and I’ll write you a check.”
The exchange mechanism is that transparent – you do what you
do, and they give you some dough. (I have
thoughts of writing another a post
explaining why show business is the most honest
profession. A preview of the thesis: Unlike, say, politics, show biz never for a moment pretends that it’s real.)
(NOTE: The following is my experience. I am aware it
is not everyone’s.)
In the show biz arena, “moral dilemmas” are rarely on the
menu, at least not serious ones, the
kind where life and death, or anything close to it, are on the line. There is no “You built substandard war
planes, and the pilots blew up.” Show
biz deceptions are more along the lines of,
“My contract says I get a forty-foot trailer and I measured
and it’s thirty-two!”
Of course, show business is not entirely immune to questionable maneuvers, a “crisis point” where
one is challenged in the area of “moral flexibility.”
Which brings me to a time when I myself was morally challenged.
And I ignominiously failed the test.
(WARNING: Be
alert to some weaseling out of my responsibility. I’m going to try not to, but weaseling out is
the “go-to” response when the alternative staring you in the face is, “My
behavior was considerably less than honorable.”
Who wants to admit to that? Without a modicum of mitigating weaseling.)
It was relatively early in my eventual climb to the middle; I
was inexperienced, and had little or no power.
At that juncture, the “muscle” of disappointed higher-ups – at least
there was that definite, if unspoken, understanding – could prematurely
terminate a career.
So there’s that. Not
exonerating. But a lighter sentence
perhaps?
Okay.
Best of the West,
my first series, was on the air and in “full steam” production. As the series’ writer/creator, I am ostensibly the “Top Man”, but, in reality,
I’m not. My bosses, who along with the
studio co-own the show, a reward for shepherding my maiden effort onto the
schedule, were effectively at the helm.
One day, my bosses’
boss – the man who originally hired them,
making him arguably “Power Squared” – surprised me by appearing at my office
door, the “surprise”, the product of his having nothing to do with Best of the West.
“Could I talk to you a moment? I want to ask you a favor.”
I am, by nature, of a relatively anxious temperament. A “Powerhouse” at my door is the opposite of
a calmative.
The guy comes in, and gets right to the point. His wife (or his girlfriend who ultimately became his wife, I can no longer recall
which) was interested in getting into hairstyling work on TV shows and movies. But to get into the union, she needed to have
a professional credit. He wondered if
I’d be okay with having her name added to the Best of the West credits, even though she was not, in reality, doing hairstyling on the show. Or anything else for that matter. She
most likely didn’t even watch it.
I don’t know what my
face said (though I can guess), but my mouth
mumbled, “I guess so.”
And with that, a “seed of shame” was planted in my soul.
Once the (mis)deed was officially accomplished, the “Big Man”,
passing me in the hall, thanked me for the “credit” favor. What I wanted
to say was, “Don’t thank me. Thank the people who actually earned the credit.” Instead, I mumbled, “That’s okay.”
Though my repetitive mumbling reflected that it wasn’t.
This was a definite low point in the category of “moral
courage.” This capitulation to “wrong”,
however, turned out to be the exception, my career-spanning record in that
regard, rising considerably beyond “respectable.”
Did I gradually develop some backbone?
That’s does not appear to be the explanation.
I was simply never tested in that manner again.
It is not always apparent to me why I write something. In this case, I could just be I’m hedging my bets.
Perhaps, as it is possible bordering on likely there is nobody “Up There”
to confess to, my need for expiation directs me to the next best option:
Confessing to strangers.
3 comments:
Dear Mr. Pomerantz; two things
1/ I guess you're atoning for lying and thereby deceiving the union.
2/ Why didn't Mr. Big ask you to hire her, that would've put a bigger burden on your show but have been more truthful in the end?
-Z
Man it must be great to have tv executive friends with benefits. I could have been an accountant!
Difficult situation to be in. It was the boss, his money, and there may have been consequences. On the other hand, you had two choices. Tell him she can get the credit, but she has to show up and do the work, thus adding another hair stylist. Second, you could have said, "No, that's not fair to the people doing the show". I doubt that would have made any difference to the life of the show, which was dependent first and foremost on the ratings. Did the regular hair stylists ever ask you who was the person getting a credit for no work?
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