I used to think – and have written elsewhere – that, for me,
the most appreciated advantage of the computer is that I can get things down almost
as fast as I they come to me, therefore diminishing the likelihood of my forgetting
anything valuable in the process.
I compared this to its diametrical stenographical opposite –
transcribing on stone tablets with a hammer and chisel – where I imagined you
could easily lose your train of thought, chiseling the first letter of the
first word.
“I know what it starts with – I am doing an ‘O’ – but I have
no longer any idea what comes next. If
only ‘O’ wasn’t so arduous. Doing
‘round’ on stone – it takes, like, forever.
I finally get it done, and I have zero recollection of what I wanted to
say. What am I left with? A tablet with an ‘O’ on it.”
From stone tablet, to scratching dye on papyrus, to writing
with a feather, to various forms of pens – from the fountain pen to the
ballpoint – to, mechanically, the linotype, to the typewriter, to the electric
typewriter, to the computer – something like that, give or take what I left
out. Consistently, every stenographic
advancement moved in the direction of “faster.”
We have lightning quick minds, some of us. Maybe everyone does, but the people who think
about it like to think it’s just us. We
have brilliant ideas, these same “some of us” like to think. If we lose even one insight because we could
not get it down before it elusively slipped our minds, we perceive it as a
tragedy, not just for the person whose mind this stroke of genius temporarily
flew into, but for all humankind. We
like to think.
MIDDLE AGES RESEARCHER: “I had the definitive cure for baldness. Right in my mind, clear as day. I reached quickly for a scrap of paper to
write it down, I wrote ‘The Definitive Cure For Baldness’ at the top – so I’d
remember what it was the definitive cure for.
Suddenly, I remember I need to go to the Cleaners Shoppe – my wife got a
Black Plague stain on her party dress and they were trying to get it out, and
the place was closing in ten minutes, and if I forgot to pick it up I’d be in
big trouble with the missus – and with that tiny distraction, the definitive cure
for baldness flew right out of head. If only
there’d been some kind of a machine for writing things really fast, I could
have quickly completed that note. My
failure could mean a continuation of the scourge of baldness for centuries to come. On top of which – a smaller concern but
annoying nonetheless – I was so distraught about losing the cure, when I raced
to the Cleaners Shoppe, I forgot the receipt.”
How many life-altering ideas, inventions, illuminations and
aphorisms have been lost over the ages, because the mode of transcribing them
was too poky? Jokes, too – let’s not
forget jokes.
A hilarious line comes to you, but in the extended process
of writing it down, you forget parts of it – a salient descriptive, or you
leave out some words, or equally destructively, you add some, such that, when you read the thing over when you’re
finished– it is no longer funny!
“If only I had gotten it down faster!” you lament. Then, suddenly…
You notice something that leads to believe in the strong
possibility that you were wrong about everything. Not totally
everything, like, you never said anything right in your entire life. But everything related to this issue. Which, itself, is quite a lot.
As I mentioned yesterday, I am listening on tape to a book
entitled, The Man Who Saved The Union –
Ulysses Grant In War And Peace (23 discs, of which I am currently on 20.) Therein did I discover a challenging contradiction
to my previously held belief.
In a biography of a nineteenth century person, you will
inevitably encounter quotes, rendered both by the subject him or her self, or
the people involved, largely and smally, in the biographee’s life. Quotes from the mouths – or the writings – of
nineteenth century persongages, from a time when they wrote with a feather, or
maybe just after, when they wrote with the implement that followed the feather, which was undoubtedly no miraculous step
forward.
You would think, due to that day’s arduous method of
transcription, their pronouncements would be commensurately brief. Cryptic, even, because it would be difficult
for the stenographer to keep up with the speaker, or, if one were transcribing
one’s own words, to keep up with
one’s thoughts.
And yet, the opposite proves to be the case. Nineteenth century sentences go on forever,
qualifying and clarifying on their unhurried way towards the ultimate and
inevitable period.
Here’s a guy, in a letter written in the early 1870’s, who,
despite internecine turmoil in Louisiana, desires President Grant not to send
down federal troops to interfere.
We assure you, Your
Excellency, that the white people of Louisiana, owning upwards of three hundred
and fifty millions of property, and largely interested in commerce and
agriculture, desire only to elect and establish a government of competent and
honest officials, under which all legitimate interests of all persons,
irrespective of race, color or previous condition of servitude will be
protected.
The guy was lying his head off. But look how precisely he went about it. A sixty-one word sentence. In which the man makes certain to include all
facts and clarifiers salient to (his
version of) the situation at hand. That guy didn’t have a computer. And yet, he remembered (and included) in
comprehensive detail everything he wanted to say.
Leading me to ponder if maybe I had gotten things altogether
backwards.
Maybe, because it
took them so long to get the words down – and also needing to proceed deliberately,
understanding that if they made a mistake, they could not “delete” it; they had
to write the entire thing over again – writers in earlier times, their minds
regulated by the relaxed rhythms of their implements, had a more leisurely
opportunity to think about and perfect what they were committing to paper.
They had one shot at it.
Their minds were not racing.
Maybe it was they, and not us, who did the better job of communicating
their message.
Check this out, from the eighteenth
century.
When it the Course of
human events, it becomes necessary for one people to dissolve the political
bonds which have connected them with another, and to assume among the powers of
the earth the separate and equal station to which they Laws of Nature and of
Nature’s God entitle them, a decent respect to the opinions of mankind requires
that they should declare the causes which impel them to the separation.
That’s the preamble to the Declaration of Independence. Pretty good, huh? It hits precisely the right note. A seventy-one word sentence. With our technological advantages allowing us
to record every thought and contingency, how, in contrast, might the independence
declarers of today declare it?
“We’re leaving, and here’s why.”
Or, if texting,
“Wr lvng & hrs y.”
Rather than allowing us to include every idea and nuance as it
pops to mind, accelerating our stenographic abilities appears to have
encouraged us to commensurately contract
our communications.
Making me wonder what we’re missing.
3 comments:
On another note...
I caught up with an MTM Show rerun last night on ME TV you'd written, and before the button, the image cut out. After Lou Grant told Ted that he'd done surprisingly well in the special Mary had produced on priests, I was waiting for the shoe to drop, but said image prevented that. Do you remember what the button was? Thanks.
Your piece made me curious: when was shorthand invented. According to Wikipedia...
"The earliest known indication of shorthand systems is from Ancient Greece, namely the Parthenon in which a stone from mid-4th century BC was found. The marble slab shows a writing system primarily based on vowels, using certain modifications to indicate consonants. Hellenistic tachygraphy is reported from the 2nd century BC onwards, though there are indications that it might be older."
The idea of shorthand being chiseled on stone just cracks me up! I realize that's what they had to work with but still, it makes me laugh.
Never mind, re: button. Found it on YouTube. Ted's reply to Lou: "Boy, when you drink, you're really nasty."
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