This story came at me from two directions.
(Ready for a parenthetical side trip?
So early?
They come to me when they come to me.
Okay, but make it
snappy. We have better things to do with
our lives than to wallow in extraneous meanderings.
Thank you. Back in
the late 1950’s, there was a TV game show hosted by Carl Reiner called Keep Talking in which two teams of
skillful comedians ad-libbed extended joke-riddled anecdotes that included a
joke they were assigned which they proceed to surreptitiously weave into the
narrative.
The point of this exercise was for the opposing team to
ferret out the original joke embedded in the fabricated hilarity. If you wish, lucky readers, you can play the same game with these
blog posts, trying to uncover which insight, experience or wondering generated
the subsequential outpouring. Sounds
like fun, doesn’t it? Though participation
is certainly not mandatory. You can consider
it for “Extra Credit.” With the
possibility of your acceptance into a better college.)
As is my habit, I am reading the Friday movie reviews in my
newspaper – most movies open on Fridays, the studios hoping the notices will
induce moviegoers to check out these movies on the upcoming weekend though more
often the effect is the opposite.
I am reading a review for the recently released action
thriller Captain Phillips, starring
Tom Hanks, about Somali pirates commandeering a freighter ship and holding it
for ransom. The reviewer (L.A. Times critic Kenneth Turan ) is
very enthusiastic. Which makes me enthusiastic about the possibility of
a movie I might actually want to see.
I then get to this paragraph
“…this film does an impeccable job of creating and
tightening the narrative screws. The
result is so propulsive that you may find yourself looking at your watch not
out of boredom but because you’re not sure how much tension you can stand.”
And at that point, I am instantaneously out!
Well made and entertaining as Captain Phillips may be, movies in which “…you’re not sure how much
tension you can stand” are emphatically not for me, because I am sure how much tension I can stand, and
the answer is virtually none.
I cannot handle violence, and I cannot even more so handle
the inevitable build-up leading up to
the violence. To give you an idea of the
difficulty, I stared into my lap during the battle scenes in Les Miserables. And that was a musical! Although they do shoot a kid. Or so I’m told. I did not actually see it, aware from the stage
version that this gut-wrenching misfortune was about to occur. Who wants to see a little kid get shot?
Even if he’s singing.
Making things worse, it would appear that, with the advancing
years, I am becoming increasingly intolerant of emotional turmoil. (As, it would appear with a similar
explanation, I am getting increasingly intolerant of noisy restaurants,
especially when the cacophonous din is augmented by the driving beat a canned
musical selection I have never heard of.)
There is almost nothing I can see anymore. I recently enjoyed an Iranian movie called Wadjda, whose plot involves a culturally
repressed eleven year-old Saudi Arabian girl’s passionate desire for a bicycle. That’s pretty much my speed in entertainment
these days.
But even then, I watched Wadjda
in dread that she would finally get her bicycle and, in a hideous twist of ironic
reality, she heads out on her first exhilarating solo excursion, and immediately
pedals over a land mine. (You see how
much power storytellers have? They could
have easily and believably told that story.
WADJDA IS BICYLING ALONG, HAPPY AS A CLAM.
CU – THE PAVEMENT
THERE IS SOMETHING ON THE ROAD AHEAD. THE BICYCLE’S FRONT WHEEL ROLLS OVER IT…
BOOM!
A joyous story turns devastatingly tragic. And my ticker goes into cardiac arrest.
Thankfully the filmmakers chose not to do that. Earning an appreciative “Thumbs Up” from this
moviegoer. And a departing sense of
“dodged a bulletory” relief.
But that’s, like, the only movie I can go to these days – a
young Muslim girl pining for a bicycle.
Oh, and one more – a recently previewed offering (starring Tom Hanks and
Emma Thompson) called Saving Mr. Banks,
in which Walt Disney tries to persuade (writer) P.L. Travers to allow them to
turn Mary Poppins into a movie.
(I wonder, was Saving
Mr. Banks meant to be a “call back” of Saving
Private Ryan which I avoided because it included the Normandy Invasion and I
know that a ton of people got massacred in that? This makes me wonder, will Saving Mr. Banks’s persuading visit to Disneyland include the crustily distant
Ms. Travers suddenly tumbling from the “Matterhorn” ride? I hope not.
I really do.)
I have never been comfortable with unsettling
entertainment. (I have told the tale of my
badgering my big brother to take me to see the horror classic The House of Wax, only to wimp out at
the last minute, my (still) shameful cowardice requiring me to wait in the lobby
until the movie was over and my brother emerged from the theater to take me
home.)
It just seems like it’s getting worse.
And it’s not just the movies. (Ding!
Ding! Ding! Ding! – The second triggerer of this blog post.) Recently, the baseball team I currently root
for, the L.A. Dodgers, has been participating
in the playoffs. And I have found myself
incapable of watching any of the games.
Emotionally, I just can’t seem to handle it. I mean, what if they lose?
Of course, this aversion is hardly new. When the (hockey) Toronto Maple Leafs were contenders – you will have to be nudging
fifty to remember those days – I was constantly running out of the room,
especially during “Sudden Death Overtime.”
(Fearful that the “sudden death” might inadvertently be mine.)
But at least I came back.
Now, I dare not even go there.
I’ve had heart surgery, you know.
What if they walk an opposing batter with the bases loaded? My repaired mitral valve could easily explode! (Are you sensing a pattern here?)
What we have here in a temperamental weakness, worsened by
the debilitating deterioration of time.
I can barely watch anything
anymore.
Leaving me – and this is the only ray of sunshine in this
bleak and limiting scenario…
More time to write about it.
Earl, I hope I'm not too late to warn you not to see "Hope Springs". You could easily be fooled into thinking it's a safe bet, since it stars two venerated actors, Meryl and Tommy Lee, and concerns the tedious mundanity of a lengthy relationship....no violence or scarey stuff there, unless you find a woman glaring at her indifferent spouse too hard to take. But there's a scene, near the end, when the two ancients ignore the perfectly soft king-sized bed and opt to hunker down on the scatter rug in front of a boutique hotel fireplace to cuddle. I, for one, was, as they say in movie land, "on the edge of my seat" panicking that one of them was going to break a hip!
ReplyDeleteThe majority of the wired world knows how the story turns out, (Captain Phillips, not Hope Springs), yet, the 'suspense' is still too much? Since you haven't seen the movie, you can't really answer that. I was looking forward to your review! It's one of the few current movies that interest me.
ReplyDeleteOkay, you've answered the question I asked a few weeks ago: "Why John?"
ReplyDelete