The second time I went
to Paris, I was older and married and we were returning from a week in the
South of France, and we spent two days in Paris before flying home. But that’s not the story barking at me to
tell it today. It’s the other one.
Think of this as a
recently unearthed blog post written in 1967.
No, that one would be more resonating and specific. Think of this instead as a blog post about
1967 written forty-five years later.
Because that’s what it is. Not as
good, but as a man I knew named Pedro who had fourteen children used to say
when I told him I had two:
“Better than nothing.”
It’s March 1967. I am
twenty-two years old and living in London.
I am currently unemployed, living on a small inheritance, the result of
having turned twenty-one, and my late father having left it to me.
I take acting classes three times a week at “The Actor’s
Workshop”, and I am strongly encouraged to avoid truancy. Finally, classes break for a week, and I decide
to venture on an excursion to what they call in England to “The Continent.”
I feel no trepidation about traveling alone, the same way I
am not afraid to fly in a helicopter.
You just do it. And if you flame
out – how utterly romantic. Also,
traveling alone precludes the necessity of negotiation and compromise, the
former of which I am poor at, and the latter of which I dislike.
Traveling alone insures congenial companionship.
Here’s how long ago this was. The ‘Travel Bible” of the era was Arthur Frommer’s Europe On Five Dollars A Day. Yes. Five dollars a day. For accommodations. And meals.
Transportation. Entry into a
museum. Maybe take in a show. A glass of wine. An afternoon croissant. Souvenirs.
Five dollars. For the
entire day.
Which was perfect.
Because that’s about all could afford.
I tore out the appropriate chapter from the Frommer book, I stuffed it in my pocket,
and I went off to Paris. I have written elsewhere about my perilous
boat trip across the English Channel. Short
version: A man whose acquaintance I had
made asked me to take charge of his enormous dog while he went to the Men’s
Room. During the crossing, I became
excruciatingly seasick, but could not race to the bathroom to throw my guts up,
because the man had not returned to retrieve his enormous dog.
I arrive in the late evening, and, with Frommer’s assistance, make my way to the “dirt-cheap hotel” area of
Paris. After signing the register, I am
handed a key and pointed to a birdcage construction of an elevator, the type I
have frequently seen people murdered in in movies. You know those scenes – a person gets on, and
when the elevator gets to the lobby, they’re dead?
Reaching my floor, I step into a pitch-black corridor, save
for a tiny, illuminated push button by each door. I quickly deduce that the little lights are
meant to, first, help you make out the numbers on the door so you can find your
room in the dark, and second, allow you to more easily fit your key into the
keyhole.
Despite this illuminational assistance, I experience enormous
difficulty. I end up fumbling down the
corridor, feeling the room numbers with my hand, and when I finally find my
room, I have a devil of a time locating the keyhole.
It is only later I am informed that the illuminating lights
were meant to direct hotel guests to buttons, which, when pushed, would turn on
the overhead lights in the hallway.
Hey, I had never been
to Paris before!
Excited to be there, instead of going straight to bed, I
decide to go outside and explore the neighborhood. I exit my hotel, and with a stranger’s sense
of adventure, I let my legs take me where they wanted to go, which was entirely
arbitrary, as my legs had never been to Paris before either.
I pass, I don’t know, a bar, a bistro, some brightly-lit
establishment with noise coming out of it.
I decide to check it out.
It is not a fancy place – How could it be? It’s in the same neighborhood as my “dirt-
cheap” hotel – but it has a relaxed and welcoming atmosphere. Groups of people are hanging out at tables,
at the bar, a small crowd is gathered around a pinball machine. I hear English spoken, so I amble over
there.
An attractive, dark-haired girl is taking her turn,
and doing quite well, deftly flipping the flippers, ringing the bells, and
racking up considerably pointage. I
decide to announce my presence with a question:
“Is this a ‘Gottlieb’?”
I inquire, referring to the most popular pinball machine manufacturer of the
day.
“No, it’s a ‘Williams’”,
she replies, mentioning the competitive Pepsi
to the “Gottlieb’s” Coke.
My foray into pinball expertise has hit the target, if not
quite the bulls-eye. The attractive dark-haired girl invites me to her table, populated by half a dozen American expatriates,
all students of an avant-garde French
acting school. How avant-garde is it? They are
currently rehearsing a play in which each of the actors plays a different
internal organ of the human body. (The dark-haired girl had won the coveted role of "The Spleen.")
I hang out with this crowd, until, figuring there’s nothing
more desperate than a clingy stranger, I say, “Nice meeting you all”, and I take
off.
I continue exploring the neighborhood, discovering an item
in an antique store window that I immediately covet – a very-old-looking,
colorfully adorned deck of oversized, round playing cards. I have never seen round playing cards
before. I thought how wonderful it would
be to have them for my own.
The antique store is closed.
And besides, I feared the asking price for this certain one-of-a-kind treasure
would take would take a prohibitive bite out of my five-dollar-a-day spending
limit.
Having had a long day of travel and vomiting (the man
finally came back for his dog), I decide to head back to my hotel. As I pass another lively gathering spot, I
hear someone racing out the door, and calling my name. It is a member of the acting troupe playing the
internal organs. They had seen me pass
by, and in a tone nudging towards insistence, I was invited to rejoin
them.
Which I did.
Strangers were being nice to me.
I couldn’t say no.
Finally, however, I was overcome with an uncontrollable fit
of yawning. I got up, saying I had to go to bed. I sensed a wisp of disappointment from the attractive, dark-haired girl.
Okay, this is Paris – the City of Romance. The opportunity…I don’t know, I have no great
track record for “reading signals”, but there seemed to be something there.
Paris was demanding that I make a move. But you know what I say: “You are what you are, and
you do what you do.” What do I do?
Nothing.
I went back to the hotel,
And I felt for my room.
I went back to the hotel,
And I felt for my room.
While I'm sorry you and the "attractive, dark-haired girl" didn't get together, your story was more interesting with that possibility. But reality for people like you and Charlie Brown (and his little red-haired girl) and me (until I met my wife) is the poignant ending. But I like your ending because, to paraphrase you, you can only be yourself. If you change yourself and make a move, the attractive, dark-haired girl would have been with someone else.
ReplyDeleteJim Dodd