It didn’t seem like that big a deal.
I was scheduled to have breakfast with a writer friend of
mine, arranging a “where” and a “when” via e-mail, which seems to be what’s “done”
these days – as the old people say – in lieu of phoning.
A subsequent e-mail from her informs me that the Writers
Guild Magazine is publishing a major article on mentors (I had actually been
interviewed for it months before), and since she perceived me to be one of hers, she
wondered if it would be okay for a photographer to come by after our breakfast
and take some pictures of us together, to accompany the article.
I am not entirely on board with this proposal, but what the
heck, I say okay. A photo shoot requires
me to select the appropriate wardrobe from my clothes closet which I am only
hit and miss at, and to move back my
daily blogwriting “start time.” But, a
friend asks a favor, and if it doesn’t involve money or physical effort, I am
more than happy to comply. Maybe “more than happy” is exaggerating, but I
am at least willing.
Our breakfast is scheduled for eight-thirty; the
photographer will arrive at ten-thirty. My friend arrives, and we walk over to the
restaurant.
I order oatmeal and coffee.
I know coffee’s not great for my blood pressure, but I consider it a reward for
ordering the oatmeal. Despite five
delicious-sounding varieties of pancakes on the menu, I deliberately opt for
the wheat-free alternative. So bring on
the coffee. And the “no extra charge”
refills.
We return home in plenty of time to meet the
photographer. But the photographer,
arranged for ten-thirty, has not yet arrived.
(He later explains that he was explicitly instructed not to arrive
early, which does not explain why he
arrived late.)
My friend and I pleasantly fill the waiting period by
showing each other what we have learned on the piano. I play her the last three songs I have worked
on, which I still remember, the hundred or so I have previously learned being as lost to my memory as the answers to last
week’s crossword puzzle. My friend
generously teaches me a blues pattern, which I am determined to incorporate
into my repertoire. (I primarily play slow
songs which, by their nature, do not require my fingers to move quickly.)
The photographer arrives.
It is now eleven, so we’re at least an hour into “blogwriting pushback.” I decide to be okay with that. But inside, my inner “Time Manager” is
insistently gesticulating towards the clock.
The photographer informs us that his crew is on their way. His crew? I thought this was three pictures, and
goodbye. No – there’s a crew. An assistant photographer, a make-up
specialist, the Creative Director of the magazine, and oh yeah, the Editor in
Chief is coming to ask us some questions.
I was entirely taken aback.
Five people? To take a few
pictures?
What have I let myself in for?
(Note: We are
talking about a man who, from a work standpoint, has been bereft of publicity
for a number of years. And now I’m
complaining about attention? I “get” the
irony. And I want you to get that I get it. Though this awareness does not deprive me of
my irkability.)
My writer friend gets makeup. Then I
get makeup, from a young woman named Amber, with all that that entails. Sometimes, names just fit people. Either that, or one’s imagination is set free
when they’re airbrushing your face.
We are posed together outside, sitting on the brick stairs
that lead down to our garden. It is
suggested that, as mentor, it might be symbolically appropriate for me to be
positioned one step higher, and have my mentee
looking up at me. I find myself not
saying no.
(There are also
pictures with us sitting on the same
step; I hope they use of one those. But,
you know. The professionals know best.)
After that, while my friend is being photographed
separately, I am occupied in conversation with the Editor in Chief. The Creative Director videos a portion of our
chat, for an accompanying online supplement to the article.
I am at my best, and
at my most excruciating worst.
(Disclaimer: I
drank a lot of coffee. Normally, before an interview, I would make
certain not to, as coffee, in effect, not dissimilar to alcohol, tends to relax my
inhibitions and loosen my tongue.
Remember now, I was told that
it was only a photo shoot. That I could easily handle; they cannot
read “coffee” on your face. But now,
somebody – somebody rather important – was talking
to me. Which itself is an inhibition releaser.
Very few people bother to do
that anymore. And when they do, it is
hyper-flattericious. One has a tendency not
to hold back. And I mean, at all.)
I said a few smart
things. Like I mentioned that I had
recently studied NBC’s Thursday night
comedy lineup, to try and understand what they were doing differently from the
comedy of my era. When I was asked what I’d learned, I replied,
“The icing is different, but the cake is fundamentally the same.” That was okay. An accurate articulation, colorfully
expressed.
But that was the exception.
Mostly, it was venting. Regular
readers are aware of my “Playlist of Woe” – my career disappointments, powerful
people who unfairly pulled rank, the big money I left on the table, the
unfortunate career trajectory where good writers are required to move up the
ladder to become less than capable show runners, my perception of myself less
as a writer than as a performer who rarely performs – I spent an inordinate
amount of time talking up my warm-up appearances on Taxi and Cheers, and how
my monologue stole the show at my daughter’s star-studded school
fundraiser. Topping it all off, of
course, with the utter tragedy of my abandonment to obscurity.
I was entirely out of control, fueled by the lethal recipe
of coffee and attention. I don’t know
which part of my rant will be included in the article, but there is barely
anyone I mentioned to whom I do not owe a sincere apology.
My non-stop logorrhea reminded me of a job interview I once
had, at the end of which the studio president who had been in attendance said, “You really ought to get out more.”
As my extended Spewfest continued, I felt protected by one
comforting thought. Drawing on my
backyard surroundings, I spoke of having nothing to lose.
“What are they going to take from me? My plants?”
It was now, mercifully, time to shoot me. I was escorted to my
“mark”, in our hallway, backed by our impressive-looking “Craftsman Bungalow” staircase. There was a “reflector” on the floor, angled to
throw additional light on my beautiful punim
(face). Before the photographer started clicking, Amber
stepped in to touch me up.
I was now “ready for my close-up.” The directions flew fast and furious.
“Angle to the right.” – click!
click! click! – “Chin down.” – click!
click! click! – “Cross your hands over your chest.” – click! click! click! – “Now hands in the pockets.” – click! click! click! – “Look serious.” –
click! click! – “Less serious” – click! click!
click! – “Okay, smiling.” – click! click! – “Now pull it back.” – click! click! click!
I responded like the professional I wasn’t.
Our “photo shoot” had now reached the three-hour mark. I was feeling impatient. While simultaneously eating it up.
And then it was over.
They thanked me, they gathered their equipment, and they left.
I went upstairs to work on my blog. It was more than four hours later than my
regular starting time.
Oh, well. At least this time, I would not have to write
about a spider, hanging outside our kitchen window.
Today something actually
Happened.
Today something actually
Happened.
Dear Mr. Pomerantz; something happened, and I think you liked it.
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