My Concise Oxford
Dictionary (defined as “brief but comprehensive”, yet still hard to pick
up) lists ten variations of meaning for the word “miss.” The one I apply here is “Meaning Number 8” of
the word “miss”: ”to avoid.”
Pondering “Meaning Number 8” came to mind with the recent
release of Martin Scorsese’s The Irishman,
which I missed despite encouragement not
to, due to my anticipation of its (to me, excessive) violence.
How many highly praised movies, I wonder, had I missed
because of their (to me, excessive) violence?
Bonnie and Clyde, The Wild Bunch, and another Scorsese
classic Goodfellas are three that
come easily to mind.
Although first and foremost is The Godfather, which – this will sound strange till I explain it to
you – I saw and missed at the same time.
Here’s the clarificational story.
There was this movie review show on our local CBC (Canadian
Broadcasting Corporation) affiliate, CBLT,
in Toronto, scheduled to be cancelled after its final six airings. When one of its three designated “reviewers” prematurely
jumped (the sinking) ship, someone apparently thought of me, to play “amateur
critic” for the remaining episodes. “What
have we got to lose?” was imaginably their thinking.
The way I behaved, I cannot say for sure that I would have
been fired from the program because it had already been cancelled. But I have the feeling if it had stayed on, it
would have done so without me.
And here’s why.
Related to violence,
And, specifically, The
Godfather.
I had read the book on which the movie was based, and had
thoroughly enjoyed it, having learned of what appeared to be the inner workings
of the Mafia with no personal jeopardy to myself. (Like by asking a “Mob” guy, “Do you really
kill people?” and hearing, “Do you really want to find out?”)
The thing is, being familiar with the book, I knew when all
the “bad parts” were coming in the movie.
And I was ready to react. At
least my “Fight or Flight” reflexes were.
Programmed permanently to “Flight.”
When the time came for the guy to wake up and find the
severed head of a horse lying in his bed, as the camera slowly pulled in on the
house, angling in an upward (bedroomly) direction, I immediately bolted from my
seat, propelled my way up the aisle, and raced straight into the lobby.
That wasn’t the only
time that happened. (Just the time I ran
out the fastest.)
Someone has his hand pinned to a bar with a before being
garroted…
Michael enters the restaurant bathroom to get the gun to
shoot the policemen…
Sonny’s cornered on a bridge…
Gone, gone, and – among other times of equal emotional disturbance –
Gone.
Then it was “Show Time” on CBLT.
I was a bit nervous.
What could I possibly “critique”?
I mean, I had seen the movie.
Just not all of
it.
When my turn came to evaluate the Coppola masterpiece, I spoke
authoritatively about what I had seen:
An elaborate, backyard Italian wedding…
A guy explaining in detail how to prepare tomato sauce…
Marlon Brando sticking slices of orange in his mouth and
clowning around for his grandchildren…
In my version – no mayhem, no blood.
It was The Godfather,
put out by Disney.
Though my fellow reviewers recalled the great film in considerably
more detail, no one could touch me
when it came to describing the lobby’s carpeting, the range of concession stand
candy, and the rotating hot dogs nobody bought.
You know, it doesn’t have to be that way. By exemplary contrast, last weekend, I saw a 50’s “noir” picture on Turner Classic Movies. Very “gritty” in story and dialogue. But, in the climactic moment, when the bad
guy was shot a few inches from his chest and keeled over, I had no doubt he was
dead, though there was no gunshot wound, and nothing spurted out of his torso.
Unfortunately, that’s not how it works anymore. Audiences with apparently weaker imaginations
require literal proof of “That guy’s a goner.”
Today, it’s “No entrails – no death.”
Great although violent movies generally do well at the box
office, so I don’t think they miss me.
(Meaning of the word Number 7b: “notice
the loss or absence of an object or person.”)
It’s just a shame I miss them. (Meaning of the word Number 3: “fail to experience, see or attend (an
occurrence or event.”)
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