Quite often, during one of my walks, ideas for interesting
(to me) blog posts come to my mind.
That is not the reason I walk. I walk for exercise. I walk to get outside. (It is February, but it is not Canada.) I walk because, at the moment at least, my
legs remain a reliable part of my anatomy. I walk to celebrate “They work!”
But sometimes – and this is the reason I never wear
headphones out of the house (aside from
the fact that my ears may alert me to oncoming dangers my eyes, though doing
their best, are chronically unable to detect) with an unhampered brain open for
business, interesting illuminations enter my mind, many of which later appear
on these blogatorial pages.
But not this morning.
Why? Because I am
trying to memorize the lyrics of the latest song I am learning on the piano,
the process of memorizing commandeering my consciousness as, wearing headphones,
iTunes had appropriated my ear
canals.
It’s a tough song. I
mean, it’s not Sondheim complicated,
which… I do not know how they learn that.
Fortunately, I am not enamored of Sondheim. I get enough
“ambivalence” in actual life.
What it is is a hauntingly plaintive ballad called “I’m Not
Lisa”, written by Jessi Colter. (Yes, I
am learning a “Girl’s Song.” Why? Because I like
it.)
Another way a song’s lyrics can be tricky to internalize
involves the use of challenging similar wordings, making it tough to remember exactly
which wordings go where. In this case, you have “sunlight” – twice –
as well as “rising sun”, as well as “morning light.”
A nineteen-line song, and they mention a variation of “that really
hot thing in the sky” four times.
I mean, come on, “Country Girl.” That’s not “homespun lyric writing”, that’s
“Try harder.” (Overall General Belief: Lyric writing is more difficult than melody
writing. A tune can materialize in one
piece. In the extended effort of lyric
writing, your brain sometimes unhelpfully intervenes.)
So I am learning the words, struggling to distinguish “sun
light” from “rising sun”, deciding finally to give up and go home and
double-check when I realize I am on the last “leg” of my walk and no inspiring
post ideas have yet come to me due to the blocking impediment of “hick-writing”
laziness. (Or a “stylistic motif” that
has successfully wrestled me to the ground.)
The thing is, once I decided I would not be mastering those lyrics on that particular sojourn, my mind was once again freed up. And wouldn’t you know it?
And idea suddenly came to me.
Not actually an “idea”, per
se, or pari pasu. (I do not know what that means; it just felt
like per se could use company.) What I experienced was a re-thinking of a previous idea, now seen from an altered
perspective.
No lie. (Or
self-serving rationalization.) An idea from
a rejiggered perspective feels refreshingly new.
I have mentioned on earlier occasions – probably numerous earlier occasions – that,
although I would like to write more about my television-writing career, somehow,
considering the length of time I put into it, a relatively few number of recollections seem to come readily to mind. I have in the past chalked that up to a form
of benign by similar-generated “PTSD”,
the shuddering shocks and anxieties triggering “Anecdotal Amnesia.”
Years ago, I did
chronicle a biographical record of my experiences in fifty or so successive
posts entitled, “Story Of A Writer.” But
after that, the torrent of intriguing “War Stories” dropped to a veritable
trickle.
True dat.
A once roaring river is now cracked and crumbling terrain.
It is possible I used them all up in that prodigious
exercise, but I doubt it. Others are limitless fountains of “the things that they did
and they people they met.” Yet for me,
however, the show biz “Cupboard of Goodies” is disappointingly bare.
And I believed I knew why.
And then, after giving up on the “I’m Not Lisa” lyrics, I
suddenly “knew why” differently.
Maybe it wasn’t how terrible it was.
Maybe it was how ordinary
it was.
Or at least ultimately became. (The word “normalized” comes to mind, but
don’t get me started on that.)
Not all of it, of
course. There were hard parts, scary
parts, exceedingly stressful parts, overwhelming parts and heartbreaking parts. Truth is, those things inevitably come with
the territory and I may have just taken them too personally. (Really?
Me?)
Still, the majority of my work the majority of the time, it was like the planes that
land safely.
Who ever writes about that?
Or even remembers
it?
My lack of unlimited storytelling in that arena? Maybe – I thought for the first time at the
tail end of my walk – was not because
things were so traumatic. It was because
they were so “regular.”
Anyway, this (comparative) upbeat illumination? It was a different perspective.
A sunnier one.
Or sun-shinier
one.
Or one the sunlight
And I am back at the beginning.
Your regular was probably orders of magnitude better than many of your readers’ regular.
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