There are a lot of
ways to be happy. Today, I celebrate
being happy by doing everything under the circumstances in question absolutely
incorrectly.
And still it worked
out. Proving that, if you are willing to
go the extra mile and behave as counter-intuitively as possible, being happy
could be right around the corner.
You say, “I’ve already
tried that and it blew up in my face”?
Then, my friend, you are simply not behaving incorrectly enough.
This amazing strategy,
although easier for some of us, is not entirely beyond reach. With persistence and hard work, avoiding reasonable
advice, common sense and “conventional wisdom” at all costs, you too can make
the worst possible misjudgments and still come out a winner.
I did. And this is my story.
I am now nearing – or may have actually have passed – my
tenth anniversary of taking piano lessons.
Ten – or maybe more – years ago, I found a piano teacher who lives three
blocks from my house – no small consideration, as my current Driver’s License
forbids me to drive any farther than my ability to still see my street.
I explained to the teacher that my primary interest was learning
to accompany myself when I sing, wishing to emulate famed composers like Irving
Berlin, who appeared on The Ed Sullivan
Show, playing his memorable “standards” with a barely passable musical
accompaniment.
I wanted to play like that.
Announcing he was onboard with this plan, we immediately
jumped in. I remember the first song I
brought in: Hank Williams’ “Your Cheatin’
Heart.” It took a few weeks to get under
my belt, but I finally did it. Not the
identifiable “ache in the voice” part – that
results from a kind of hard living well beyond my personal biography – but the
accompanying arrangement. (To pull off the
other part takes years of heavy
drinking and endless misery, and I was not ready to pay that price.)
Anyway…
After ten or more years – and here’s another approximation,
making this hopelessly flawed if it were a science experiment but it isn’t so
it’s fine – I have brought my piano teacher something like a hundred-and-fifty or
so songs. And as of the current moment,
I can play, with inevitable mistakes,
Four of those
hundred-and-fifty or so songs.
The rest of the songs, that I thoroughly studied and diligently
practiced and could at one time play as acceptably as I can play the current
four… let me give you an analogy.
You know like, you’re out someplace and you spot a person that
you know you’ve met but can no longer recall their name, the circumstances of
that encounter or anything specific about them… that’s me and the one hundred
and forty-six or so songs.
I’m like this “Etch-o-Sketch” piano player. I learn one song, I flip up the cellophane
sheeting, I start a new song and, “Poof!”, the song before is magically erased. I mean, I recall learning to play it, but no longer
recall how.
Explanation of this Startling Phenomenon: I’m old.
Actually, it’s not entirely “I’m old.” A lot of retaining the ability to play a song
on the piano involves “Muscles Memory.”
Apparently, my finger muscles have a “Memory Shelf Life” of four songs. With still, inevitable mistakes. That’s why I rarely play for anyone else. I tell people I’m just practicing, and if I finally
give in and play something, and make
those inevitable mistakes, I sense an inexplicable disappointment in my
listeners. I mean, what‘s that about? I told
them I was just practicing.
Still, four passably playable songs out of a
hundred-and-fifty is hardly an admirable repertoire. What did I do wrong?
This.
I refused to study the “Basics” – the endless scales and arduous
exercises that are the essential underpinnings for future development. Stubborn and impatient, I jumped over all that and went straight to “Your
Cheatin’ Heart.” (Which, of course, I am
no longer able to play. Though I imagine
I could relearn it faster than the first time.
And then forget it again. That’s
how it works with me. I have learned “Twilight
Time” three times.)
It’s not my teacher’s fault.
He’s great. Aside from technical
training, he offers Zen-like pronouncements, like “Play as if you are already
proficient.” And when I explained to him
that, because of some neurological injury in my neck, the baby finger on my left hand refuses to
relax, he sympathetically inquired, “Couldn’t you ask it to?”
So there is no blaming here.
At our first lesson, he explained, “I don’t teach piano; I teach people.”
And since this “people” wanted
to skip the “preliminaries” and go straight to the songs, my debilitating limitations
are entirely on me.
Here’s the thing, though.
Eighty to eighty-three-and-a half percent of the time? – I
am as happy as a clam.
(The twenty or so percent of unhappiness is the natural “attrition rate”, emanating from reflexive
regret, residual shame and inevitable self-recrimination, which, for me, as
regular readers understand, applies everywhere.)
That foolishness aside, for the past ten or more years,
there has never been a lesson I haven’t thoroughly enjoyed nor a seven-day-a-week
practice I deliberately skipped. Nothing
– including writing – gives me more outright satisfaction than banging away, however
imperfectly, at the piano, playing songs I have always wanted to learn. (And secretly perform. I can imagine myself in concert, garnering screams and applause from adoring audiences.)
(When you are imagining, the sky’s the limit.)
The best thing is I can see myself improving. Every practice, the song I am working on gets
tighter, smoother and easier to play. At
a time when certain attributes are lamentably receding, this miracle of
progress is a welcome exception.
By the way, this is not “rationalization.” Considering the time and effort I willingly
put in? I am not that deluded. At least
hopefully.
Final comment.
Listen to this wonderful ballad I am working on. I picked the Bobby Darin version, but there
are also renditions by Tony Bennett, Frank Sinatra, Andy Williams and Robert
Goulet. We troubadours can really pick
‘em.
After you hear it, imagine it sung worse and accompanied
horribly.
And that’ll be me.
Having the time of my life.
Having the time of my life.
Sing us a song, you're the piano man
ReplyDeleteSing us a song tonight
Well, we're all in the mood for a melody
And you've got us feelin' alright
If you take requests...
Thanks for the Bobby Darin piece. Loved his stuff, except for Splish Splash! Keep playing!