I could not believe my incredulous ears.
“Do you want me to send it?” he asked me.
What he – “he” being Glen Svalstedt, the Director of
Financial Contract Reporting for what is now NBC Universal – what my pal Glen – I call him my pal because I
receive correspondence from him annually, which is more often than I get
correspondence from my actual pals –
what “Glenny Boy” was referring to was the updated annual “Statement of Accounting”
report I am contractually entitled to as a “Modified Gross” profits participant
for Major Dad.
“Are you kidding?” I replied. This is my favorite day of the year!”
Which by “this” I mean the day the letter carrier delivers
my updated annual “Statement of Accounting.”
I was exaggerating, of course, but only in reaction to his inferred assumption
that I might not want to receive the “Statement of Accounting” at all.
I mean, Glen! – How long have we known each other? Are you
actually unaware of how much I look forward to receiving my updated annual report? Come on, man!
The annual report is the TV Guide
Preview Edition of fiduciary statements!
There is no certainty in this world. But we always live with hope. The hope that in the end, things turn out
justly and appropriately, sending us to sleep believing that the world may not
always be fair, but sometimes, things work out exactly as they are supposed to.
In this case, the hope that keeps me going – that allows me
to get up in the morning and face yet another uncertain day – is the
unvanquishable belief – like those valiant explorers believing against all
available information that there is indeed a “Northwest Passage” – the unshakable
belief that someday, I will see financial
personal benefit from my contractual “profits participation” in Major Dad.
And the undeniable truth is…
I am getting closer.
As mutually agreed upon – though I do not recall having an
actual choice in the matter – my “Modified
Gross” profits-sharing position does not officially kick in until Major Dad is out of the “red”, or,
employing accountancy jargon, all the series’ losses are finally “recouped”,
taking the show into what the studio unilaterally determines is in “the black”,
triggering the consequent “cha-ching.”
(Accompanied by my learning to play “We’re In The Money” on the piano.)
Here is the indisputable “Good News.”
2013 (Yes, I keep the “back reports” in a folder.) “Unrecouped Losses” (My computer reports “unrecouped” is not even
a word): $4,618, 313
2014 (“Unrecouped
Losses”): $4,408,923
2015
(“Unrecouped Losses”): $4,323,862
and 2016
(“Unrecouped Losses”): $4,295, 159!
Do you see the trajectory there?
I am unquestionably on
my way!
Numbers don’t lie. In
the past year alone, Major Dad’s “Unrecouped
Losses” receded… hold on, I’m doing subtraction here…
4,323, 862 minus 4,295,159…. I’ll be right back….
…. nine from twelve is three, carry the one, six from six is
zero, one from eight is sevem, five from thirteen is, um… eight, carry the one,
ten from twelve is two, carry the one, three from three is zero, four from four
is zero…
And there you have it.
I am 28,703 dollars
closer to my goal!
An advancement in the “profits-sharing” direction of –
“ballpark” calculation – more than one-half
of a percent!
Who do I have to thank for this bolstering ray of sunshine? Not the studio, that heaped head-scratching surcharges
onto every episode –like the “per episode” fee for an “on-site” Fire Department
– charged to every series and movie filming on the lot – even though we never once
had a fire and the studio fire fighters never even dropped by the soundstage
for moral support. Until those
accumulated assessments are earned back, there is no chance of my seeing a single
dollar in “Modified” profits.
In this financial predicament, the one way to pare down this
continuing “Deficit” is for Major Dad
reruns to syndicate well in foreign countries. (American
syndication revenues having ostensibly dried up.)
And here’s where I appreciatively tip my cap – to the
countries subsidizing this Marine-o-centric TV comedy.
Thank you, Australia.
(Accumulated “Gross Receipts”):
$202, 512 * (* Assumingly,
American currency.)
Thank you, Belgium.
(Accumulated “Gross Receipts”): $55,312
Thank you, France – You guys have always been there for us. (Accumulated “Gross Receipts”: $511,623)
Thank you Great Britain ($650,000). Thank you, Italy ($498,550.) Thank you… I can’t believe this… Luxembourg! ($312,000).
We show up there, they’ll give
us a parade! (If we can figure out where Luxembourg is.)
And, in the “Every Dollar Counts” Department – with apologies
to those arbitrarily omitted from the list:
Thank you, Tunisia ($1,764).
Thank you, Switzerland ($1,561).
Thank you, Egypt ($1,350) And
thank you, Austria ($84).
I once read a story where this extremely old woman began
knitting a scarf – or was it a sweater – believing the Good Lord would not take
her until her mission had been completed.
In a paralleling analogy, if I survive till Major Dad is mathematically in the “black”…
... I am destined to live forever.
In the meantime, Glen Baby,
Keep those accounting reports coming!
(Note: I am sorry
if the preceding sounds disingenuously whiney.
I did very well at Universal. And I cannot prove for a certainty that
series profit participants are inevitably cheated, as, like with Donald Trump’s
tax returns, the studio’s books and accounting practices have never been opened
to public scrutiny. I’m just sayin’…)
Earl: apparently you're in good company. Harry Shearer, one of the four co-creators of THIS IS SPINAL TAP, has just launched a $125 million lawsuit against Vivendi. It seems that in all these years, all these DVD and CD sales, all this success...the film has netted the creators approximately $140: https://www.theguardian.com/media/2016/oct/18/this-is-spinal-tap-star-sues-vivendi-for-125m-in-profits-row-harry-shearer
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