As Hawaii is more exotic than Southern California, so Tahiti
is more exotic than Hawaii.
Saith myself.
The difference has to do, I think, with its greater
remoteness from what they referred to in the film Stagecoach as “the blessings of civilization”. The “Society
Islands” are in the middle of nowhere, south of the magical equator, enriched
by the retained remnants French colonial culture and cuisine, contrasting with Hawaii’s
American besmirchment.
If the current residents’ ancestors when they outriggered from
Tahiti homeland to Hawaii had known they would someday be building a string of Pizza Huts throughout the islands, they
would have likely remained in Tahiti.
“That’s a long paddle for ‘restaurant chain’ pizza.”
Having hiatused the previous year in Hawaii, I decided – or
perhaps a co-worker recommended – a more adventuresome excursion to Tahiti,
with the nearby islands of Moorea and Bora Bora.
When he heard I was visiting Tahiti by myself, my boss, a recognized
bon vivant, insisted that, if I offered to pay her way, he could easily
connect me with a congenial female companion, so I could appreciate the
tropical paradise in the appropriate manner.
If you think that
happened, you are hardly regular readers.
Or if you are, you are paying insufficient attention. Would it have been nice to do that? It might
have been. But with my rich and fertile
imagination, I immediately envisioned,
“I know you paid for this trip but I have taken an interest
in the bell boy.”
The excursion involved a nine-hour flight from Los Angeles,
with a refueling stopover at the halfway point in Hawaii. “The halfway point.” Meaning, I was venturing twice as far into
the Pacific as I had ever ventured before.
The single drawback is that I was traveling in “Coach”, in a
wide-bodied airplane whose middle row included five seats, to which I was
randomly assigned the middle one. Forty
years later, and I can still remember that middle seat. And the two passengers on each side who did
not talk to me. I could intuit their unentitled
superiority.
“The middle seat of five.
Doesn’t that say ‘Nobody’!”
We landed finally at Faaa
Airport (pronounced “Fah-ah-ah”, Polynesians allowing no vowel to go to
waste.) What then followed were sixteen
days of tropical grandeur.
The vacation was, as I had mentioned, forty years ago. What I have left are disparate shards of
recollection:
The most dazzling unimpeded sunlight I have ever
experienced.
Crystal clear, aqua-turquoise waters rendered glacierly
smooth by an encircling reef.
A comfortable cabin stilted over the Pacific including a
glass window in the floor so you could watch the fishies swim by underneath,
and a back patio, down whose steps you could descend into the sun-heated
perfection.
Excellent snorkeling.
(Mary Tyler Moore, recognized for her privateness and her reserve – she
invariably ate “show night dinner” by herself – voluntarily entered the
conversation before a filming, advising me to buy my own snorkeling mask so it
would fit more snugly on my face than the hotel-supplied apparatus. And I did.)
Mimicking a Disney
animated feature, the fish proceeded beneath me in seemingly organized
phalanxes, multi-colored and beautiful – orange fish, black-and-yellow striped
fish, polka-dotted fish, long fish, flat fish, fish with outsized, fan-like
fins, fish with hose-like proboscises.
It was the Rose Bowl Parade, with sea creatures. And you’re wet.
Speaking of sea creatures, reliably after dinner, weird,
grayish manta rays swam past my patio.
We’d been instructed to toss them wadded pieces of bread. Unsure what these bizarre-looking – fish?
mammals? – were actually capable of, fearing, their appetites whetted by the
bread morsels, they might slither onto my porch and take a big bite out of my foot,
I lofted the proffered bread into the water and then scurried into my room,
locking the door, lest they be able to negotiate the doorknob with their
snouts.
On the principal island of Tahiti, I arranged for an
organized “day-tour”. We saw turtles you
could actually ride on. Not that they allowed you to ride the turtles, but
they were so big, riding them was easily possible. If you had exceptionally short legs.
At a stoplight on Papeete’s (Pa-pay-yay-tay’s – I told you) central thoroughfare, our tour
guide claimed that the enormous man lumbering up the street beside us was actually
Marlon Brando. Everyone went “Yeah,
right.” Except that it was.
The “Gauguin Museum” – Paul Gauguin once resided and painted
in Tahiti – was so financially impoverished they had to sell the majority of
their genuine “Gauguins”, decorating their interiors with counterfeit “knock-offs.”
I had a delightful dinner with a Mia Farrow look-alike who I
knew was not Farrow herself as there was nary a mention of Frank Sinatra.
I befriended an older couple – who were probably younger
than I am now – the husband of whom, named Norm, bore a resemblance to President
Jerry Ford, both in look and in Midwestern demeanor.
Since Norm could never remember my name, I came up with a
strategy. Whenever we ran into each
other, we’d great each other saying our own names instead of the other person’s
– I’d say to him, “Hi, Earl” and Norm would respond, “Hi, Norm.”
Near the end of the trip, Norm’s wife informed me that he
was seriously ill, and that my interest and companionship had been a welcome
distraction. I felt good doing something
for somebody else. I ought to try it
again some time.
I am certain there are more noteworthy memories, which will
surely come to mind after I click on the word, “Publish.” It was some
kind of a trip.
I have, however, never returned to Tahiti, and here’s at
least partially why.
One night, when I was outside, standing next to an older
stranger, enjoying a spectacular sunset, I ventured, referencing the Tahitian experience,
“Isn’t this wonderful?”
To which he grumpily replied,
“It’s not like it was.”
That’s one reason I have never gone back. I am afraid that now I’d be the guy saying,
“It’s not like it was.”
And who the heck needs to hear that?
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