I do not like the way they are treating P.D. James.
And they say I don’t take stands on anything. That I infuriatingly straddle the fence, rationalizing
my refusal to come down on one side or the other by my oft-professed opposition
to adversarial conflict, no matter the issue in dispute.
I never oft-professed my opposition to adversarial conflict,
no matter the issue in dispute? Oh
sorry, I meant to. I wonder why I
forgot? Oh yeah. It would get me in trouble. With both
sides. For not backing either of them
up. Do I actually need that?
Today, however, I am eschewing my signature even-handedness to
boldly stand up and be courageously counted.
You might think the issue-at-hand minimally consequential, but consider
it “baby steps.” Quoting a line from The Mary Tyler Moore Show (albeit not
entirely accurately), concerning an unprincipled character demonstrating momentary
backbone: “When an elephant flies, you
don’t complain that it didn’t stay up that long.”
Where do I start here?
(Allowing the writer “breathing space” to figure things out.)
Okay.
I listen to “Books-On-CD” when I am walking on the
treadmill. Barring vacations – when I
read I lot – I rarely otherwise read standing still. Or sitting down in a chair. Or reclining comfortably in bed. If weren’t for reading while walking on the
treadmill, I would know nothing about subjects I can confidently claim I
instead now know almost nothing. Which is better.
Sometimes a lot better.
A tidbit of information can make you look really smart at gatherings,
especially if there are no follow-up questions exposing your paper-thin
understanding. Did you know, for
example, that between 1846 and Lyndon Johnson’s election in 1964 no Southerner
had won the United States presidency?
I amassed that shining historical nugget listening to the
fourth of Robert Caro’s quintilogy – which my computer just told me is not an
actual word; either that or I spelled it wrong – a five-book biography of Lyndon
Johnson entitled The Passage of Power,
a 27-disc slog filled with often meaningless (to me) minutia, leaving me hungry
for an alleviating antidote, an “interesting read”, minus the manipulative
arm-twisting and the berating of underlings while sitting on the toilet.
Enter – The Murder
Room by P.D. (Phyllis Dorothy) James (a book suggested by crime-novel appreciating
Dr. M.)
12 discs. A welcome
breather from the grueling 27. One
preambling quibble, however. Though no
expert on crime novels, I am impatient with the story’s elaborate construction. I am already on “Disc 4” and there is no sign
of any homicide. I know the English
aren’t ones to rush into things, but come on!
Enough “Setting the table.” Kill somebody!
Anyway, this is not a day for personal complaint; I speak
for P.D. James, and the inferior manner in which penguinrandomhouse.com is treating her.
Consider for the sake of comparison, the difference between
the “Economy Class” treatment of James’s The
Murder Room and the sumptuous
presentation accorded Robert Karo’s The
Passage of Power.
Each of Passage of
Power’s included 27 discs comes encased in an individualized, windowed
envelope.
The Murder Room?
Two nondescript slabs of cardboard, each with sufficient
slots for the book’s twelve, envelope-deprived discs to be slipped into.
The Passage of Power
opens with an appropriately presidential-sounding (presumably original) musical
theme, by played a substantial orchestra at the beginning and the end of each
disc.
The Murder Room?
No music, (original or otherwise), not at the beginning of the disc, and not at
the end.
And not just “No music.”
At the end of each disc of The Passage of Power, a voice different from the reader’s – in this
case it is a soothing woman’s voice – comes on to announce:
“This is the end of ‘Disc 23.’ Please turn to ‘Disc 24’,”
The Murder Room?
Nobody says anything.
The disc abruptly comes to an end, followed by complete silence.
That’s unacceptable! You do not have to hire a different
announcer. You slip the reader a twenty
and it’s done. I mean, he’s already
there, so why not? At least then you would know when each disc has
been0 completed. Otherwise, it’s like you
suddenly went deaf. (Or require a
replacement disc player.)
I know. Robert Caro’s
a big deal. But so, in her genre, is
P.D. James. How dare they treat her so
shabbily?
Two slabs of cardboard?
“Death Valley” at the end of each disc?
The woman’s a superstar. Give her
individualized envelopes! Write her an original
score!
(Do you see me taking a stand here? I admit it – it’s exhilarating!)
P.D. James passed away in 2014, avoiding this gratuitous slap
in the face. If she hadn’t and the head
of penguinrandomhouse.com had died
under mysterious circumstances and they were looking for suspects…?
What I am saying is…
Never underestimate the wrath of a writer who’s been CD set
has been slighted.
Particularly one specializing in murder.
Whoa!
That was so liberating.
1 comment:
Oh Dear! Did someone at Groundwork accidentally slip you regular coffee instead of your customary "decaf"?
I'm afraid the answer to your question is somewhat prosaic. Certainly not worthy of such an energetic diatribe. The key clue (a word I use since you are listening to a mystery) is the phrase "Books-on-CD". My first thought was "who listens to books on CD anymore?". My second thought was "Earl Pomerantz, you big dope!" (I'm my own worst critic). Hardly anyone uses the CDs for their "Audio Books"; they listen to audio files on whatever electronic device is handy. This could be their smartphone, MP3 player or even watch. The lack of frippery on the P.D. James books is not an affront to her - it because you're listening on the "wrong" medium. There wouldn't be an audio cue for the next CD because, for most people, there isn't a next CD. The audio introduction is stripped because a) some places that sell these "audio books" put their own intro at the beginning and b) it costs money. "Books-on-CD" are so passé you might as well be putting your ear to the Victrola "his master's voice" style.
That said, you have excellent taste in material! I haven't gotten to the Cato's LBJ book yet but his book on Robert Moses was really good (and it wouldn't be 27 disks, either). The great P.D. James is one of those great writers who's so great you don't know she's a great writer. She's entertaining but a few days later you're still thinking about the book.
I like this new "Speaking Out" thing but I do have a question. What's the difference between the "speaking out" Mr. Pomerantz and the "crotchety alter-cocker" Mr. Pomerantz? (asking for a friend).
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